Changing the way we experience culture.
Dr. Joanne Tompkins explains her research interest and the motivations behind our passion for the Cultural Heritage Sector.
She is the Associate Dean (Research) of the Faculty of Humanities and Social Sciences at the University of Queensland, and Research Coordinator at Ortelia.
My research focuses on space and spatiality: how the venue in which a play is performed or an exhibition installed makes such a difference to the effect and the impact of a play/exhibition.
“We don’t look at an exhibition just in terms of the art: we look at it in context and in the light of the venue.”
The same is true of theatre: we interpret a play in the context of the venue in which is performed. The physical volume of a theatre in particular is usually overlooked but it contributes so much to the feel of a performance, as does the décor and the architecture. Ortelia enables the exploration of theatrical space and venues for exhibitions, but it takes that experience much further, offering the chance to understand that space in the context of architecture, sets, art pieces, lighting, and colour.
Ortelia’s specific research importance is in recreating theatres that no longer exist. With Ortelia, we can experiment with space in a way that is all but impossible in contemporary theatres (which are busy with their principal functions, and to which non-performers have limited access), but this form of experimentation is even more important in understanding theatres that no longer exist.
“Ortelia provides that entry to theatres that have been demolished or lost or even those that have been refurbished to such an extent that their origins are only a memory.”
We rebuild such theatres in a realistic manner to facilitate the virtual re-occupation of these venues and, from there, we can understand how performance operated then, which is usually very different from performance practices today.
Explore our projects.
We have worked very closely with the University of Queensland on cutting-edge research and projects.
Recreation of the Rose Theatre
Art of Nation
Dr Faustus and the Rose Theatre
Learn more about our work.
These are our latest academic publications.
Tompkins, Joanne, and Lazaros Kastanis. “Staging Supernatural Creatures in a Computer-based Visualization of London’s Sixteenth-Century Rose Theatre.” International Journal of Performance Arts and Digital Media, forthcoming 2017.
Tompkins, Joanne. Chapter Five in my book, Theatre’s Heterotopias: Space and the Analysis of Performance. Basingstoke, UK: Palgrave Macmillan, 2014. This chapter deals with the digital, using Ortelia as one of three examples to map space.
Tompkins, Joanne. “Making the Invisible Visible: Virtual Stage Props and Christopher Marlowe’s Dr Faustus.” Performing Objects and Theatrical Things. Ed Marlis Schweitzer and Joanne Zerdy. Basingstoke, UK: Palgrave Macmillan, 2014.
Delbridge, Matthew, and Joanne Tompkins. “Reproduction, Mediation, and Experience: Virtual Reality, Motion Capture and Early Modern Theatre.” SPACE–EVENT–AGENCY–EXPERIENCE. Open Access E-Publication of the DREX Project. Ed. Teemu Pavolainen and Riku Roihankorpi. Tampere, Finland. 2012.
Tompkins, Joanne, and Matthew Delbridge. “Using Virtual Reality Modelling In Cultural Management, Archiving And Research.” EVA London 2009: Electronic Visualisation and the Arts. [refereed] Conference Proceedings. Ed. Alan Seal, Suzanne Keene, Jonathan Bowen. London: British Computing Society. July 2009. 260-269.